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The word "fool" and its variants ("foolery," "foolish," and so forth) appear eighty times in the play, and the word "folly" occurs seven times. "From the time that Armin joined the company Shakespeare very noticeably began to give his clowns the catechism as a form of jesting.... Feste catechizes Olivia on why she grieves and proves her a fool for d...
A close critical analysis of Twelfth Night can reveal how Shakespeare manipulates the form, structure, and language to contribute to the meaning of his plays. 'Better a witty fool than a foolish wit.'
Initially, Maria threatens Feste . Feste as well creates the confusion .
This role reflects Feste and truthful fool in this Illyrian society, even though he mirrors a critic of his environment. In a punning twist and turns of words, the in-disguise Feste cum Sir Topaz wittingly confuses Malvolio bringing out the fool in the latter.
Despite being a professional fool, Feste often seems the most intelligent person in Twelfth Night. Feste becomes a sort of commentator for the play, as he does not ally himself with any of the other characters so he notices and comments on them more than any of the others.
FESTE Better a witty fool than a foolish wit' - God bless thee, lady. Feste was obviously the most noticeable fool.
Feste sings for the company of Toby, and he is asked to sing for Orsino because of his “mellifluous” voice.The other jesters of Shakespeare engage in song—Lear’s Fool burst into song spontaneously and repeatedly—but only Feste is praised for his singing. As with Feste, Lear’s Fool is loyal to his master, but the Fool’s loyalty seems stronger than Fe...
In the first scene where we see Feste and Malvolio together Feste says 'better a witty fool than a foolish wit.' Feste even describes himself as a 'corrupter of words' rather than Olivia's fool.
We also learn in a statement by Curio to the Duke that Feste is employed by Olivia's father. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery.
Feste in William Shakespeare's Twelfth Night In William Shakespeare's comedy Twelfth Night, it is ironic how many times the fool is said to be dishonest, when, in fact, his role proves entirely opposite. While voicing what he clearly perceives, Feste is able to make others more aware of what is going on around them, and also within them.
This is unlike Feste as he does not even . Feste is often left in control showing the great influence that the .
It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. It is a paradox aptly summed up by Viola when she says of Feste: "This fellow is wise enough to play the fool".
Fools were employed by noble families, Feste is employed by the Countess Olivia. Feste the fool represents the festive spirit of the play, and he makes an important contribution to the action.
Viola puts on new clothes and changes her gender, while Feste and Malvolio put on new garments either to impersonate a nobleman (Feste) or in the hopes of becoming a nobleman (Malvolio). Since Feste is a licensed fool, his main role in Twelfth Night is to speak the truth.
Although Feste is a clown, he seems to be the most perceptive and knowledgeable of all the characters. Feste is No Fool in Twelfth Night In most Shakespearean romantic comedies, there is a character that plays the part of a truth-teller.
Feste says to the attendants that they don’t understands and that they should take Olivia away because she is the real fool, quote: . This quote shows how she accepts the challenge and decides to let Feste try and prove her a fool.
In the whole play, Feste is just named as fool but he really seems to be quite sensible and practical above all the other characters of it. It is seen most of the times that wisely things strike the fool before anyone else and the advice that he gives to the king cannot be called as an advice from a fool.
It is vital that the audience do not feel pity for Malvolio but do find Feste humorous otherwise the entire subplot is ineffective. The fact that Sir Toby then tips Feste for his “best fooling”, highlights the control and mental advantage Feste has over the other members of his household.
The first song Feste sings is in the request of Sir Andrew and Sir Toby Belch. Feste begins by asking “O mistress mine, where are you roaming” (2.3.37).
The first category of songs are the complete songs sung by the clown Feste and the second category of songs comprises of fragmented lyrics sung by Sir Toby, Sir Andrew and Feste, “Songs fuelled by ale and limited by memoryâ€¦ that occur to one of the revelers in the heat of the moment and then vanish” (Ford 37). The first category of songs are the c...
Feste, the Fool, disguises himself as Sir Topas, a priest, and visits Malvolio in his imprisonment, under direction of Maria and Sir Toby. Feste treats Malvolio like a toy and attempts to convince him that he is truly insane.
FESTE The more fool, madonna, to mourn for your brother’s soul, . As the word fool is repeated throughout the passage, and throughout the play, it focuses the readers attention to the irony in that the one character that can see everything that is going on within the complicated play if Feste, the fool.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom.
It’s soon revealed in the play that he only plays the fool so that he can ... . He’s for the most part similar to Twelfth Night’s Feste as they both use wit and the illusion of inferiority, Feste with his role as fool and Hamlet with his play for madness, to try and fool their victims in spite of their obvious intelligence- both Feste and Hamlet hav...
”I am as well in my wits, fool, as thou art,” he tells the jester, to which Feste replies, “Then you are mad indeed, if you be no better in your wits than a fool” … . Malvolio hoped to rise above his social status and become a count, “count malvolio” as he described himself once; instead, he falls so low that by act 4 scene 2 he has been locked in...
An evidence to prove my point is when she was having a conversation with Feste in Act One Scene 5, when Feste said, “Good Madonna, give me leave to prove you a fool.” And Olivia replies to him by asking him “Can you do it?” When Feste said the above he was being brave and persistent. In conclusion, I only disagree because Feste brings out the main t...
As Feste notes, "Foolery, sir, does walk about the orb like the sun; it shines everywhere" (III,I, 40-1). Feste comments, "Better a witty Fool than a Foolish wit" (I,V, 34).
He is an absolute drunkard, as we can tell from the first time we meet him, and often stays up late at night to drink more with Sir Andrew Aguecheek, Maria and Feste. Malvolio really has no sense of humour at all; he is a very strict Puritan and seems to think that laughter is a stupid decadence provided by idiots like Feste for other idiots like Si...
This prank is formed one evening "past midnight" when Feste, Sir Toby and Sir Andrew are enjoying "a stoup of wine" but are also sacrificing the peace of the household and Olivia's maid arrives to warn them that Olivia will probably have "called up her steward Malvolio" to "bid him (Sir Toby) out of doors" so its is not a surprise when Malvolio stor...
Through to the final speech in the play where Feste uses song to speak truthfully about the meanings of the play. It is ironic that such wit and wisdom are found in the “fool.” Cesario refers to Feste as, “This fellow’s wise enough to play the fool: / And to do that well craves wit.” The obvious key to understanding the themes Shakespeare is conveyi...
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