Zelizer, “When War is Reduced to a Photograph,” p. 121. . Zelizer, “When War is Reduced to a Photograph,” p. 119. . Allan and Zelizer, “Rules of Engagement: Journalism and War,” p. 14. . Buzzanco, “The Myth of Tet: American Failure and the Politics of War,” p. 239. . Buzzanco, “The Myth of Tet: American Failure and the Politics of War,” p. 251. .
3862 words (9.7 pages)
The parallelism of the World War II social milieu and the present context of America in a world plagued by international conflict shows how the photography of Edward Steichen is starkly relevant.After the World War I, or the period from 1923-1938, a commercial portraiture and advertising studio became his venture.World War II heralded his “Road to Victory” and “Power in the Pacific” photographic exhibitions commissioned by the U.S. Navy at the New York Museum of Modern Art.“Carl sat at the breakfast table,” Steichen wrote, with “a look that brought to mind Gardner’s beautiful photographs of Lincoln made the day after the Civil War surrender.” (Time-Life, 1970, p. 148) .The day after Carl Sandburg finished his classic “Abe Lincoln: The Wa...
2034 words (5.1 pages)
I would point out that days of ‘ war photographer ‘ are long gone because nowadays photojournalists are fulfil with their own imagination of telling a story for less than a large conflict or issues.Furthermore the history of documentary photography show us the most accurate records of events that we have in the past and the documentary photography was used to capture almost everything such as terrorism and war, world events right to documenting people’s lives.In addition a lot of images produced during World War II were captured by Magnum photographers.Also what we seeing today for example in war photography is meant to show us the impact of war not its devices.They showed examples of suffering and human dignity, brutality of war and pho...
1477 words (3.7 pages)
Photography is concerned with the production of truth, yet photography itself cannot present the whole truth, stumbling due to the inexpressible nature of this very medium.The intent versus effect dichotomy of Browne’s photograph is apparent in that the Durc’s self-immolation led to copycat self-immolations protesting the Vietnam War, even in America.This essay will evaluate the power of photography in the Vietnam War via two iconic photographs, that of Buddhist monk Thich Quang Durc’s self-immolation in 1963 and the extra-judicial execution of a Vietcong prisoner in 1968.In conclusion, photography can capture a cross-section in time and intensify the horror of war via a simple click.Photography hampered the war effort in Vietnam.
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There are photographers whose work or most of it belongs to social photography (which can therefore be described as photographers social) but one can classify in social photography the works answering the objective criteria which characterize this photography (militant purpose, social importance of the subject, ethical treatment and use of images) carried out by photographers whose works as a whole belong to categories different photographic images.The history of social photography dates back to the first decades after the invention of photography.Social photography is, on the one hand, and in the Anglo-Saxon sense of the term "social documentary photography" or "concerned photography" and just like documentary photography or humanist ph...
563 words (1.4 pages)
His politically charged photomontages were banned in his home country during the Nazi regime In 1939 the Arcade Gallery in London showed one of Heartfield’s most famous exhibitions, ‘One Man’s War against Hitler’ .He witnessed a country of hungry, desolate people in the midst of chaos during the Second World War, and through his art, protested their suffering.Man Ray, was the Dadaist most committed to photography, he abandoned painting altogether, and dedicated his art making after 1918 to film and photography.They used their art and photography as a weapon to express their political dissatisfaction.His experiences in World War I led him to conclude that the only worthy art, was that which took account of social realities.
1521 words (3.8 pages)
He made use of many paid assistants, managing to capture thousands of images of American Civil War.The Oxford Encyclopedia of photography defines documentary; “In the broadest sense, all photography not intended purely as a means of artistic expression might be considered ‘documentary’, the photograph, a visual document, of an event, place, object, or person, providing evidence of a moment in time.This emphasizes Fentons efforts throughout his career to elevate the status of photography as an art.Images of the war were originally intended to counteract the general unpopularity of war and occasional critical reporting (see Addendum B, fig.The images from Fenton were transformed to woodblocks and then published in which was regarded as a ...
1187 words (3.0 pages)
Surrealism, which started after the World War I, in photography is one of the indicators of most important revolutions that have taken place over the history in the area of photography.After the First World War, a lot of changes were witnessed in photography because of the concept of modernism that had affected this area and brought a lot of change in the landscape.Those who used to photograph landscapes slowly began to drift away from the kind of photography they were practicing which used to yield painterly effects, to the more modern form of photography that yielded different kinds of photographs that were clearer and had a tonal effect.Landscape photography is one of the activities in photography that has been in existence for a long...
2062 words (5.2 pages)
...the potential of these horrifying situations and allowing to see the truth of the matter.The Crimean War established the base for photojournalism and started a tradition that will live on into the future.His mission was to captured evidence that contradicted the description of William Russell who was a war correspondent.Roger Fenton faced many challenges while photographing the war for four months.He proved to be very successful and came back to London with 360 snapshots of the war between Turkey, Russia, and England.
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Duncan, in his common volume “This Is War!” described the astounded, rigid Marine chief trying to regain his strength following an assault by North Korean army.He used surrealist art as a transom into the subconscious of Americans and a way to reflect on the negative impacts of World War II.Duncan, on the other hand, is eminent for his photography work during the Korean War.His photographs enabled thousands of Americans who — obviously with recollections of the just-concluded World War II spanking in their minds— may have sought nothing other than to cover the carnage being imposed and continued in their name in Korea.However, Siskind used an abstract approach to photography while Duncan captured images during the war.
578 words (1.4 pages)
Probably, this function is still accomplished by photography only through commercials, but in this case the aim is altering people’s perception of reality in order to influence their needs.In the meanwhile, another way to use photography in order to exert social control was beginning to see the light in the USA.Consequently, this particular use of photography requires bigger and more accessible platforms wherefore communicate, such as glossy, fancy magazines and huge city billboards.This picture was published abroad but not in the USA until the war was definitively over, since it might counter the Pentagon’s notion of a technological a war amended of all the atrocities of the previous ones.A form of undeclared censorship has been watchin...
1625 words (4.1 pages)
Since 1999 there has been a remotely piloted paramotor operating from 0 to 150 m and foreshadowing the future of civilian drones suitable for aerial photography.But aerial photography really took off during the First World War with the combined development of observation balloons and the airplane, boosted by military intelligence needs.Long reserved for tethered balloons, the low-altitude aerial photography market is now coveted by professionals equipped with drones, easier to operate than a tethered balloon.For the follow-up of the excavations the photo cervolism (aerial photography by kite) is very useful because this method makes it possible to obtain both vertical or oblique overviews but also detailed views of structures.It was duri...
2107 words (5.3 pages)
These eclectic sources show that photography does not limit our view upon the world and how things really are because the picture is a clear view of what really happened.Susan Sontag’s claim it is clear that photography limits people’s interpretation of the world.By examining the actions of Hitler as well as The Jungle it is clear that photos don’t limit out understanding of the world as Sontag claims.They also show that photography does not limit our understanding of the world.Hitler shows that photography shows a clear view of the world.
591 words (1.5 pages)
The preservation of such events like the two major World Wars became possible because of photography.Photography is a discipline where there are theories to follow but for it be called an art, it is highly dependent on the execution of the photographer.In photography, to be able to achieve different results, natural light is the element in which it can be manipulated to be able to came up with an enhanced or various effects of a real image.Before the digital age, photography is known to be a pricey and a hard task to be an expert with but due to the accessibility that modern technology offer, photography is enjoyed by people coming from all walks of life.The creative vision of the artist is the main tool for photography to consider as an...
710 words (1.8 pages)
In the book The photograph as contemporary art……describes the contemporary war photographer… “The use of medium-and large-format cameras (as opposed to 35mm format), not normally seen at the sites of war and human disaster-not at least, since the mid-nineteenth century-has become a sign that a new breed of photographer is framing the social world in a measured and contemplative manner…” She goes on to say…”The subject matter has been different, too; rather than being caught up in the midst of an event, or at close quarters to individual pain and suffering, photogrphers choose to represent what is left behind in the wake of such tradegies, often doing so with style that propses aqualifying pperspective.” It is clear to …Contemporary war p...
3106 words (7.8 pages)
In her early book On Photography Susan Sontag writes that ” War and photography now seen insperableâ€¦” (pg167) and as war evolves and continues so has the photographers response to the effects of conflict.Langland’s and Bell took thousands of photographs of the house near Jalalabad, The eerie interactive digital exploration of Osama bin Laden’s house offers an unsettling experience, and engages with the viewer in a totally new way regarding war photography.There seems to be a move in contemporary war photography to a more contemplative and abstract approach, maybe this is as Debord describes because we are use to the violence and horrors the ‘spectacle’ of war presented in the media, and have become almost immune and unmoved by these im...
3106 words (7.8 pages)
What were their lives like during and after the war?Lange’s poignant picture of these young girls in a pose reminiscent of our school days when we daily recited to Pledge of Allegiance shows once again the powerful nature of Lange’s photography.Obviously photography as art is much harder and more difficult than it seems on the surface.Obviously photography can be used to great purpose, or to great propaganda, or to great result.Shortly thereafter, Dorthea Lange was hired by the War Relocation Authority to photograph Japanese neighborhoods and the camp facilities.
860 words (2.2 pages)
Alongside their fellow post-war photographers, the Bechers recreated photography as an art form, which is as legitimate as any other.It is plain that the Bechers were not attempting to flatter architects or approve of the design and function of the buildings they photographed, as is often the case in the classic understanding of architectural photography.Whilst we move on from war, from old ideas about art, from economic peak to economic trough, these buildings stay very much the same.Because of its closeness to our experience of reality, we react very deeply to photography; the experience of looking at a framed portrait is intensely emotional whether the subject is treated in an emotional manner or not.Unlike the art of the the Bechers...
1805 words (4.5 pages)
In today’s day and age, we take even the simple things, like photography and film, for granted.Also, with all the new filters and distortions that cell phones have accessible to the modern day photo, it is now become a debate whether or not cell phone photography should even be taken seriously at all.While this may be true, film was truly most powerful and productive during the war years.Without film, some of the most special moments , even if photos were taken at the same time, would be forgotten; a distant memory.Movies made during this time offered an escape from war life, also offered entertainment with themes of patriotism and morale boosters, among other things.
471 words (1.2 pages)
As photography in many ways came of age in the 1950s in the commercial arena, Avedon was one of the first artists to demonstrate the possible breadth of the medium; he would consistently refuse to compromise on the potential of the form.Avedon was abetted in creating fashion photographs that did not reduce women to ruffles by some of the designers of the era, who also recognized that once women had been running factories during World War II there would be no way to retire them permanently to the kitchen.Other photographers influenced Avedon as well, passing on to him their own influenced from the world of abstract art that was growing tremendously in importance in the years just after World War I.Avedon became a professional photographer...
1734 words (4.3 pages)
[The] unsupervised approach may be even more of a problem with photography, because the meaning of an image can be manipulated through use in a false context, or no context at all.Thwarted by military censors from reporting the “what, where, and how” of World War I, journalists engaged the “who” – the human interest stories that were already a staple of early 20th century media.There are some who would even say that the mounting weight of photographic evidence was the primary cause for public opinion to shift against the war in Vietnam, and hence effected an end to the war itself.For example, should a war photographer put down his cameras in order to help an injured soldier?War photography, slum photography, “subculture” or cult photogra...
5211 words (13.0 pages)
Hence, photojournalism cannot be claimed to be neutral and objective.This is due to the fact that they believe the alterations are obvious enough to be instantly recognisable or so minor as to be ethically insignificant.(Wheeler T, 2002) Ever since its beginnings, photography is subjective, it is not absolute reality and... .As emphasised earlier, photography itself is a manipulation from its beginnings, this process of manipulation is further enhanced by imaging technologies.However, before any debate of manipulated photography, one must begin with the "recognition that photography itself is an inherent manipulation."
422 words (1.1 pages)
The pinhole photography of Ghosts of the Landscape is a very different account of the country compared to the photojournalistic style that covered the war itself.The inclusion of children in these images then provokes thought at whether or not this is an homage to the dead or perhaps something deeper, for example this could be Barber’s way of telling the viewer that the people who live in Vietnam today are still plagued by the after-effects of war and that pride, hope and dignity is still yet to make its way back into the lives of every Vietnamese person.The Vietnam War had a profound impact not only on the country’s political shift but also on the surviving population as the death toll reached over 4 million Vietnamese dead by the end o...
1864 words (4.7 pages)
Past fashion photography is not too different from modern photography.It is clear that fashion photography has changed and developed because of advancements in technology, change in attitudes and the introduction of celebrities.There were numerous additions to the world of photography which allowed fashion photography to develop.According to Wikipedia, Fashion photography is a genre of photography devoted to displaying clothing and other fashion items.After the Second World War fashion photography was taken in a brand new direction.
965 words (2.4 pages)
It seems that the philosophical ideas the governed at that time – the fragmented sense of self, the rapid pace of modern life, the burst of subconsciuoness – had a powerful influence on the way photography was perceived and produced.Best known in the art world for his avant-garde photography.The artist and theorist L szl Moholy-Nagy (1895-1946) gave a new aesthetic role to photography, described as a “new vision” rooted in the technological culture of the twentieth century.The second part of the work deals with photography in the 20th century, a period where photography reached new levels of technical developments and new missions.The first idea of photography was embodied by the camera obscura box which was one of the first steps that l...
2334 words (5.8 pages)
The pictures in the display are a lyrical odyssey during post war Vietnam.Moore, K. D., Crump, J., & Rubinfien, L. (2010).Photographs by Epstein depicts that under beauty there lies violence while under the war remnants is a society struggling with continued censorship and new freedoms.Mitch Epstein’s work has influenced many people across the globe and therefore making his artistic work significant to the history of photography (Epstein, 2005).Ostfildern: Hatje Cantz.
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This form of journalism is distinguished from documentary photography, street photography, celebrity photography and other related branches of photography as the photojournalists follow a rigid ethical framework that demands the work be both honest and impartial.Print "Tossed by a Gale.""An Accident of Casting".Journalism in the Digital Age: Theory and Practice for Broadcast, Print and On-line Media.After graduation from University, Fenton studied to become a painter; however in 1851 he became intrigued with photography after visiting the Great Exhibition in London and in 1855 he began working for the Illustrated London News.
393 words (1.0 pages)
The classification of photographers by subject can be one of the main differentiations: landscape, portrait, fashion, reportage, war, nude, animals, etc.A good indicator of this notoriety is the number of results obtained after a search of their first name and last name in quotes followed by "photo" (to avoid any disambiguation).Professional photographers are represented to the public authorities by a professional trade union organization, mainly the Union des Photographers Professionnels (UPP) for Authors and the French Federation of Photography and Image Trades ( FFPMI) for craftsmen.Here are some examples of the results of such a search carried out with Safari on Google, broken down according to whether the photographer (or the) photo...
939 words (2.3 pages)
This could be applied to photography and its relation to ideology, their theories suggest that Marx and Engels would argue that mainstream photography could be produced to represent ideological ideas in order to benefit the elites.Photography gradually became reflective of society, but in the 1980’s and 90’s photography associated with social history, cultural history and theory.Photography and sociology in particular have always had a strong relation and one of the most profound theories around photography is its ideology or its visual culture.We may conceive that photography is being used to accomplish certain ideologies from the relationship that photography has with ideology.Photographic journalism was around as far back as the civil...
3438 words (8.6 pages)
He also became known for standing up to take pictures even as others were ducking from gunshots and explosions during his coverage of World War II.I would that my photographs might be, not the coverage of a news-event but and indictment of war – the brutal corrupting viciousness of its doing to the minds and bodies of men; and that my photographs might be a powerful emotional catalyst to the reasoning which would help this vile and criminal stupidity from beginning again.Black & White Photography Tutorial .According to Smith, he took the photos hoping that they may serve as an argument against war.Even to the point of physical danger as was the case with Smith who suffered a near fatal wound during his World War II coverage and th...
2933 words (7.3 pages)