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The aim of this essay is to consider the multiplicity of narration in The Waste Land and its relationship in enrichment of content and meaning in the poem. There is an attempt to convey the Cubist traits and find concrete examples in the poem. This study will try to specify evidences for conformity of cubism and multiplicity of narration in the poem. While Eliot juxtaposed so many perspectives in seemingly set of disjointed images, there is “painful task of unifying .., jarring and incompatible perspectives“ in The Waste Land. Like a cubist painting, there is a kind of variety of narration in unity through the poem. The usage of different languages and narrations in the poem helps to convey sense of the strain of modern living in modern waste land. Introduction . The Waste Land is like a cubistic painting.
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“That corpse you planted last year in your garden, “Has it begun to sprout? Will it bloom this year? “Or has the sudden frost disturbed its bed? “Oh keep the Dog far hence, that’s friend to men, “Or with his nails he’ll dig it up again! hypocrite lecteur! – mon semblable, – mon frere!” (lines 60_76) , Unreal City Under the brown fog of a winter noon Mr. Eugenides, the Smyrna merchant Unshaven, with a pocket full of currants C.i.f. London: documents at sight, Asked me in demotic French To luncheon at the Cannon Street Hotel Followed by a weekend at the Metropole. (lines 207_214) , What is the city over the mountains Cracks and reforms and bursts in the violet air Falling towers Jerusalem Athens Alexandria Vienna London Unreal ( lines 372_377 ) . The main sign in the poem to show us cubist’s vein is the central and most important personage in the poem, Tiresias.
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Rocha , Luiz Carlos Moreira . The Contemporaneity of T. S. Eliot’s Poetry and Thought. in Literary Theory (UFJF); Doctorating in Science of Literature (UFRJ). Wolfreys, Julian et al. Key Concepts in Literary Theory. Edinburgh: Edinburgh University Press, 2002. . Withered Stumps of Time: The Waste Land and Mythic Disillusion. The Intercollegiate Review , 2003 .
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Order now!It is worth noticing that Eliot does not begin The Waste Land in the pure dark of Dante’s Inferno, but instead in the twilight of a broken England, as he shows in “The Burial of the Dead” with his reference to “Unreal City,/Under the brown fog of a winter dawn,/A crowd flowed over London Bridge, so many,” (60,62).Within the context of The Waste Land, Tiresias serves as both the motivation, and the primary narrative voice.The techniques Eliot uses to craft The Waste Land, from his rich use of medieval and religious symbolism, to his use of the single tragic figure Tiresias to unite the poem, connects the rich modernism of the poem to the grand scale of romanticism from which it sprung.The connection to romanticism’s symbolism may be appar...
The lack of structural coherence in the poem and scattered persona were done intentionally by Eliot to deepen the sense of uncertainty, chaos and emotion of and sorrow in The Wasteland.Hence the actual cause to the feeling of depression is then integral to the overall meaning of the poem.Meaning, I am not Russian at all; I come from Lithuania, I am a real German which tells us that Marie had to stress that she is from Lithuania and a German in the Wasteland to clear the doubts of the society in the wasteland.“the easiest contrast in ‘ A Game of Chess’- and one which may easily blind the casual reader to a continued emphasis on the contrast between the two kinds of life, or the kinds of death, already commented on -is the contrast between...
This whole section is occupied by the different stories of three women, they are different in social status, different in the register of the language they use, different in the settings, but are the women representing the trivial life and spiritual emptiness of the inhabitants of the waste land.Another aspect of this “modern wasteland”, which is closer to the surface, is the depiction of sexuality as empty, barren of meaning, progressively detached from fertility (consider the “pub scene” of the poem in Section II, or the invitation of the Smyrna merchant to a men’s hotel and the typist home passage in Section III).According to Davidson, this could be seen as surrendering to change, a symbol of resignation in a state of peace that contr...
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Uploaded time: | June 11, 2022 |
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