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Dante's Literary Style Dante was a genius, having being said at the cost of sounding trite. He was also the master who wrote the masterpiece appropriately called La Comedia which, most clearly of all his works demonstrates his genius profoundly. Dante lived in Florence, Italy in the late 13th and early 14th century. This was at a time when Florence was in political turmoil. Dante, however, was not a commoner. In fact, Dante's party, who were called the Guelfs, took control of Florence during Dante's time in 1266 (Fergusson, Francis, 26). Sadly, however, Dante was banished from Italy at the turn of the century, which was around the time of the writing of La Comedia, which included three books: Inferno, Purgatorio, and Paradiso. When Dante died, however, he was very highly praised for his cantos and their "beautiful, polished, and ornate style.
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The ryme never changes, and is almost of a monotonous cadence and tone (Chateaubriand, Viscount de, 6). Dante does not limit his artistic style of word manipulation to such pettiness as lines and stanzas, but he uses it in the construction of the Inferno itself. In the Inferno, there are 34 cantos which gruesomely describe the horrors of the nine circles of hell: limbo, the carnal and lustful, the gluttons, the hoarders and wasters, the wrathful and slothful, the heretics, the violent, the liars, and the traitors. The nine circles are symbolic of the fact that it is God's justice. The first trinity represents God, whereas the second one represents divine justice. When multiplied together, these two yield the number nine. Purgatorio and Paradiso, however, contain 33 cantos. The reason why Dante uses 34 cantos in the Inferno, and only 33 in Purgatorio and Paradiso is because it adds up to the Divine Number. If one adds 34 to 33, one will arrive at the number 67.
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Chubb, Thomas Caldecot. Dante and His world. Leach MacEdward. Boston: Little Brown, 1966. The Dore's Illustrations for Dante's Divine Comedy. New York: Dover, 1976. Dante's Equation. Seattle: Random House, 2006.
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The Divine Comedy is recognized as his greatest literature accomplishment not only for the multitude of themes and literature firsts, but also for the beauty of his writing style.“On the Congruence of Sins and Punishments in Dante’s Inferno” translated by Thelka in The Journal of Speculative Philosophy, Vol.1&2, January & April, 1888, p 21-83. .“Out of the dark wood: Dante and the subversive ego” Harper’s Magazine.With the terza rima and his unique writing style, Dante was able to present in The Inferno his idea of God’s divine justice, contrapasso.
In Milton’s poem we see and feel that the character of Eve is somehow not as important as the character of Adam.This is evident in the way Adam is consulted while Eve is left to herself in times of important conversations.In Book eight, Adam says that Eve is “th’ inferior, in the mind and inward faculties.” (Paradise Lost, book 8, line 317-318) Eve is a submissive character in Paradise Lost.The use of numbers is very important in Dante’s poem as the number three reveals itself several times as well as the number seven.Throughout Dante’s literary work, he outlines his scientific understandings of the world, his political views and provides the reader with a moral compass and spiritual map of which to follow.
Dante: the poet, the political thinker, the man.Both literary works use many elements of the Homeric epic, such as in-depth similes and epithets.New York: Farrar, Straus, and Giroux, 2011.When looking at the style of these two literary works and comparing the two epic heroes, it becomes very obvious that Dante modeled Virgil while writing The Divine Comedy.The research is so important to being able to draw conclusions and fully understand the meaning behind the style of writing Dante chooses to use.
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