The Concert for Bangladesh Essay

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It was a difficult time in the United States, the war in Vietnam was still raging, and people had grown hardened by the years of blood and violence. Those of us who had grown up watching the daily war horror scenes on the evening news were a touch bunch. After all, our people, most of them only a few years older that we were, were dying every day. The news was right there, photographing and filming the scenes that had became so instiled into our minds that I can still see them, and I still have nightmares about them. Because of this horror, most people were at their very worst, and their very best.

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The artists who performed in the concert have played a major part in the formation of the attitudes of my generation. It’s for this reason that I want future generations to be aware of the concert when they open the time capsule. The list of performers involved in the concert included musical artists: Bob Dylan, Leon Russell, Eric Clapton, and of course, George Harrison. These musicians became role models to me. They were involved in a very special event, an event that awakened me and other members of my peer group to the suffering of third world countries, and also to a group of people who, because of prejudices about their youthful lifestyles, were believed by older Americans to be worthless.

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Clad in faded blue jean jacket, his pudgy face surrounded by a halo of tangled curls, Dylan looks like an Oakie and sings like one, too, warbling, “A Hard Rain’s Gonna Fall,” “Blowin’ in the Wind,” and “It Takes a Lot to Laugh” with a definite twang in his nasal voice. Watching him, I was reminded of the critics who insist that Dylan is always reinventing himself. In this film, it’s hard to recognize him as the possessor of the contemptuous voice that rode “Like a Rolling Stone” to the top of the charts in 1965. . Here, he has revertd back to his pre-electric, pre-polka dot shirt days, and once again inhabits a person reminiscent of Woody Guthrie.

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